THE BLUES SOCIETY is a re-evaluation of the 1960s seen through the lens of the Memphis Country Blues Festival (1966-1969). It’s the story of Blues masters like Furry Lewis and Robert Wilkins, who had attained fame in the 1920s but were living in obscurity by the 1960s. It’s also the story of a group of white artists from the North and the South who created a celebration of African American music in a highly segregated city. THE BLUES SOCIETY follows the festival from its start in 1966 as an impromptu happening up to the 1969 Festival, which mushroomed into a 3-day event and garnered substantial print and television coverage - including an appearance on Steve Allen’s national PBS show, Sounds of Summer.
Festival co-founder and legendary music Executive Nancy Jeffries says, “Everyone remembers the 60s as a party, but there was a seriousness of purpose to what we were doing.” Furry Lewis worked for decades sweeping the city streets, so the efforts to recognize his musical accomplishments echo the 1968 Sanitation Strike, where each worker’s sign proclaimed “I AM A MAN,” underlining the racist refusal to honor African Americans’ basic humanity. Reaching into the present, the film ends in a 2017 concert where Rev. John Wilkins returns to the stage he last shared with his father 48 years earlier. Drawing on stunning archival footage, sparkling animation, and interviews with organizers, participants, concertgoers and contemporary commentary from writer Jamey Hatley, sociologist Zandria Robinson and musician Dom Flemons, the film asks, “What is the legacy of the Memphis Country Blues Festival, and why do the Blues matter today?”
